PhD, Ethnomusicology, Florida State University, 2012
My specialization is highly interdisciplinary but most broadly concerns music in all historical and socio-cultural contexts. I researched the popular culture and music of postsocialist Eastern Europe but I am well versed in the broader critical theory of all of the humanities (media studies, cultural anthropology, sociology, history, and gender studies).
Below are some of my publications:
2013. “Kelmti Hora (My Word is Free) produced by Emel Mathlouthi,” in The World of Music Vol.2/2. Recording review. ed. by Robert Fry and Barbara Alge.
2012. “The Power of Imitation in Music Idol: Popular Music and Cultural Agency in Post-Socialist Bulgaria” in Adapting Idols: Authenticity, Identity and Performance in a Global Television Format ed. by Joost de Bruin and Koos Zwaan, Ashgate.
2012. “Imitation and Controversy: Performing (Trans)Sexuality in Post-Communist Bulgaria” in Controversial Images: Media Representations on the Edge ed. by Feona Attwood, Vincent Campbell, I.Q. Hunter and Sharon Lockyer, Palgrave-Macmillan
Proofreading, Editing/Copyediting, Transcription (spoken text and music notation), Translation/Editing (English-Bulgarian language pair).
I find editing/copyediting and proofreading stimulating because I enjoy reading, writing, and learning. I have a broad spectrum of personal and academic interests: from performing arts' aesthetics and economic anthropology to vegan cooking and pandas. Whatever your project and needs, I can assist you in a professional yet personable way.
I am available full time! Please, inquire privately for a specific time line on larger projects.